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From Indie-Music.com Send More Paramedics...
The stuff of your best nightmares. The Payoff puts the pedal to the metal and never looks back, leaving you wet and bedraggled
in a heap on the floor as the CD careens to an end. It ain’t safe out here, even a little bit. ##################################################
From Absolutepunk.net, www.absolutepunk.net Send More Paramedics...
The Payoff describe themselves as a hard rock band, although I detest that use here, as it brings to mind too much awful imagery
and memories. The spirit of their desire to use this label, though, is a good one: they would rather not be pigeon-holed by
genre classifications, so they go with one so large that it becomes a null issue. It really doesn’t do them justice
though, because this band shows lots of promise, and their self-released EP, Send More Paramedics
is a solid and enjoyable start. There are plenty of bands on labels now that aren’t nearly this good, so hopefully this
EP garners some attention. ################################################## From Deep Fry Bonanza, http://dfbpunk.com/ Send More Paramedics... Here we have yet another band who proves my theory that bands from
rural America are tighter, more aggressive and more original than bands who grow up with an already-established scene to lean
on. The Payoff are from bumf**k, Alabama and even though they don't seem to have gigged too much outside of their state, this
self-released EP proves that they're a band you may want to take note of, especially if you like well-produced pop with an
aggressive punk edge. ################################################## From Read Magazine, www.readmag.com Send More Paramedics... Fast-paced
indie punk with melodic vocals and VERY good, driving drumming. This seems like a demo, but the production is great. They
sound better than most signed bands in this genre. ################################################## From Birmingham Buzz, www.bhambuzz.com “It’s worth the sweat and tears”. More
than mere song lyrics, this line could be the official motto for hard-working local punk trio The Payoff. Led by hyper-kinetic
guitarist and vocalist Tim Frazier, The Payoff play hard-charging, old school punk rock that has many influences but sounds
like nothing else. Complementing Frazier is the sonically-pleasing duo of bassist/backing vocalist Matt Weber and drummer/backing
vocalist Dave Howse. The band has shared the stage with the legendary punk groups Fear and Avail, and one of their standout
songs (“To Fail and Fall Apart”) appeared on the local compilation “Boxcars On 1st” (which I reviewed
last year). The Payoff has recently released a five-song EP entitled “Send More Paramedics”, aptly named, for
this is heart-pounding music that will leave you breathless. These songs showcase The Payoff’s sound, which combines
hardcore punk aggression (a la Fugazi or NOFX), with the dynamic melodicism of Dinosaur Jr. “Rhetoric” commences with Frazier spitting
out lyrics over a marching beat, building momentum until it blasts off in a burst of churning guitars. The lyrics are both
philosophical and vaguely political, pointing out how biases can “cloud a clear mind” so we should “let
the people decide”. The only weakness here is perhaps a tendency to linger on the same beat too long, which causes the
song to stall a bit. “We Are Feral Children” is this EP’s apex, a cleverly catchy sonic assault that will
resonate in your brain long after it’s over. It starts with a sweet bass groove and a riff so infectious that it should
be quarantined. Suddenly, the guitars go into overdrive, and a feverishly chanted chorus sails over a raging sea of rock’n’roll.
An incredible song from start to finish, this could be the breakthrough hit this awesome indie band deserves. The disc ends
with a bonus track, the live version of “Lamar’s Lament”. This recording suffers from poor sound quality,
but it’s still a good song, and a hint of what The Payoff is like live. -- Tim Taylor ################################################## From www.fleabomb.com Send More Paramedics... The
Payoff included a note with their inaugural EP that stated that the music contained therein is best enjoyed at high volume,
and is probably not for everyone. This is a nice way of saying that if you've ever owned a Janet Jackson album, this album
is not for you. The six tracks on the EP live up to their billing—all fast, angry, and definitely not for everyone—but
to those who love hardcore music, butta baby. The screaming vocals of Tim Frazier urge on the already accelerated pace of
the music to an even more frenzied pace. One of the best things about this album is the live track at the end, which gives
a feel of the Birmingham punk scene when they thank Skeptic? and Fear before performing their last song. It really sounds
like it was recorded in a friend's basement, which to this reviewer only adds to the appeal, because true hardcore/punk music
just doesn't sound as good with studio polish. Any fans of the old school skatecore bands like Pennywise and Bad Religion
will really like this disc. Get them at: ################################################## Send More Paramedics…
to hell with the paramedics.. send me more songs. The new EP release from The Payoff will send you on a thrill
ride of an excellent blend of Hard Rock and Punk. To give you an idea of what you can expect from these guys.. take The Clash
, The Ramones, The Sex Pistols, and what appears to be a hint of Dinosaur Jr .. and you get a punk rock feel that hasn’t
been heard before.
From the Birmingham Weekly.... we are totally beacons from heaven ################################################## From Punk
Planet, Issue #61, May and June 2004 Another regional
compilation. This one has bands playing folk, punk, indie, metal and everything in-between. A few of the songs on this are
really good and make me think we're all missing out on some secret going down in the deep south. It's only $3 ppd. (KM)" Buy Boxcars on First
right here: farmcore@email.com
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Here's an Interview with The Payoff. Tim sounds nice and arrogant. CINDY
PEEK Birmingham News staff writer Personnel: Tim Frazier,
guitar and lead vocals; Matt Weber, bass and backup vocals; Dave Howse, drums and backup vocals. What: "Punk rock,
with emphasis on the rock," Frazier says. The band is from Where you'll see
them: The Payoff can be seen performing in Discs: The Payoff recently recorded an EP, "Send More Paramedics," which
will be available in a few weeks. The band also has a demo and is on the local compilations "Boxcars on 1st," and "We Did
It Our Own Way." Behind the music:
"We all write the lyrics," Frazier says. "Matt and I handle most of the actual music, but Dave certainly influences the arrangements
of songs. When one of us is stuck on something, we toss it to the others." Relating to the music:
"It's raw, stripped-down rock and there are lots of people that crave that," Frazier says. "Wwe aren't reinventing the wheel
of rock, but we feel we do it far better than a lot of bands." Influences: Inspirers
include Dinosaur Jr., NOFX, Fugazi, Screw 32, The Clash, Dead Kennedys, Social Distortion, David Bowie and Sonic Youth. Most requested song:
"Honestly, people usually request the covers that they've heard us do," Frazier says. "That's sad. But our song `To Fail and
Fall Apart' is a crowd favorite. It's the song featured on the `Boxcars on 1st' CD, so lots of folks know that one." What's
the song about? Failure, Frazier says. What to expect: "In-your-face
rock that once it starts it won't slow down until the end of the set, unless I break a string," Frazier says. "We do have
some mid-paced songs, but they still rock. No ballads." Weber adds: "We don't write no stinking love songs. All hard rock,
through and through. And Dave will blow you away with the way he abuses his drum kit. He has the most technical talent in
the band." Claim to fame: "Playing
Awesomefest two consecutive years, playing with Fear, playing with Avail. As well as being included on the aforementioned
compilation CDs," Frazier says. Cover me: Renditions
of songs by The Afghan Whigs, Seaweed, Rocket from the Crypt, Mudhoney and Snuff can often be heard at the band's shows. What they hope to
accomplish: "I'd say the music is the accomplishment," Howse says. "As long as we're creating music that totally rocks and
that we can be proud of, the act of creation is the most important thing." Weber adds: "Lyrically, you can find certain ideas
in our songs that allude to some social or political commentary, but we intentionally keep that sort of stuff somewhat vague
and open to personal interpretation." How it's unique:
"The concept is certainly not unique: guitar, bass and drums," Frazier says. "We just do it well. A decent rock band these
days is definitely unique." Fans: "Well, we play
a lot of all-ages shows," Frazier says. "But those who seem to like us the most are definitely the folks in their mid 20s.
Some pushing 30. Lately, we're having much better turnouts at the 21-plus shows." Shows: "Usually twice
a month," Frazier says. "We all work full-time jobs, and Dave and I have families of our own. And we don't want to exhaust
the local scene because then people get bored with you." Weber adds: "We're trying to mix it up by playing more shows out
of town." What keeps them performing:
"I guess I've always got to be creating something," Weber says. "So writing material never gets old. If I wasn't doing this
I'd be working on a home movie or writing a book. The band gives me an outlet for that sort of thing." Name game: "Matt came up
with it as well as like three hundred other names, and it was the only one I liked at all," Frazier recalls. Weber adds: "Tim
is ridiculously picky." Who they're tuning into:
"Mostly local bands," Frazier says. "Blue Eyed Boy Mister Death, Plate Six, 1945. Birmingham is full of awesome bands and
no one seems to know it." In ten years: "Reaping
the rewards of our patience, diligence and honesty to our music, rich and famous for playing to the same 20 people for free
for so long," Frazier says.
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